It is clear from looking at Mohapatra's recent corpus of work that he prefers geometry. A skirt with square cuts self-drapes unevenly on both sides. A sharply cut dress in two tones of black and green with accents has a refreshingly simple geometric appeal. Similar to this, a white column dress with a fringed cape back, horizontal bust darts, and emphasis on structure over ornamentation. But altogether, this was a substantial collection. Floor-length hems and sleeves that drip are more probable to bind the wearer than to release her.