Marras uses prints from digitised herbarium specimens, evoking the spirit of Eva Mameli Calvino, the first female botany graduate in Italy and the mother of renowned writer Italo Calvino. The distinction between masculine and feminine aesthetics is blurred by the contrast between these botanical themes and strong solid colours.

The assortment perfectly captures Marras' distinctive contrasted aesthetic. Refined embroideries and checks mix with clean lines and references to the 1970s. Damask fabrics struggle with stripes, and pink bursts surprisingly soften parkas. Romanticism evokes a feeling of delicate defiance and ethereal lightness, yet it may also be androgynous at times.
The variety of materials Marras uses is equal to that of the Hanbury gardens. The collection exudes a lovely inconsistency, ranging from flowing chiffon dresses to utilitarian military fabrics, airy tulle accents to precise masculine tailoring, and even a dash of sequins and trainers.

Fior di Sardegna honours Marras' fundamental qualities, celebrating the complex and surprising while retaining his characteristic air of refinement and lighthearted rebellion.