Cheng's maximalist ideas went beyond clothing. Playful accessories that challenged preconceptions of high fashion materials included a "prosciutto" shopper tote made from sustainable shrimp-shell leather and a football satchel embellished with antique glass beads. These accessories stirred conversations. Even hairstyles and eyeglasses were included into the story; for example, forks were changed into avant-garde eyewear and crystals were weaved into cornrows to give traditional components a surprising twist.
The presentation came to a spectacular close with a red cashmere cloak splattered with glistening rhinestones and with the bold phrase "Bad to the Bone." It was a strong statement that echoed the collection's central theme of unabashed uniqueness and self-expression.



Dauphinette's Autumn Winter 2024–2025 was a daring dance of extravagance, not merely a fashion presentation. It was an acceptance of excess—not as frivolity, but as a way to break free from convention, embrace uniqueness, and question the current quo. With this collection, Cheng solidified her reputation as a designer who isn't hesitant to use bold maximalism and unusual storytelling to redefine luxury.