For Fall/Winter 2025-2026, Francesco Risso continued his exploration of abstract form, texture, and movement, presenting a sculptural yet fluid collection that blurred the lines between wearable art and avant-garde fashion. Staged in a dimly lit, cavernous space, the runway show felt like a performance piece, with models gliding through an atmosphere of orchestral distortions and deep, reverberating beats.

Silhouettes were elongated and exaggerated, with sculpted shoulders, cocooned sleeves, and ballooned trousers playing with proportion. Outerwear took center stage, featuring curved wool coats, padded satin trenches, and deconstructed capes that seemed to morph with the movement of the body. Leather was treated like fabric, molded into organic, asymmetrical shapes, while knitwear was stretched, layered, and draped in a way that felt both chaotic and intentional.The color palette transitioned from muted earth tones—sienna, olive, deep indigo—to bursts of rich crimson, electric blue, and mustard yellow, mirroring the duality of restraint and rebellion. Patchwork leather dresses, hand-painted denim, and asymmetric pleated skirts introduced a tactile richness, while handcrafted embellishments—beaded tendrils, metallic threading, and layered fringe—added a touch of whimsy and movement.Footwear was equally architectural, with sculptural wedge boots, wrapped leather sandals, and exaggerated Mary Janes that enhanced the otherworldly aesthetic. Accessories were kept bold but minimal, with oversized metal cuffs, resin brooches, and sculptural handbags resembling abstract sculptures.With this collection, Risso reaffirmed Marni’s place at the intersection of fashion, art, and performance, delivering a study in fluidity and form that felt both intellectual and deeply instinctive.